Tim Greiving

Recovered from a career-threatening injury, Miloš Karadaglic has his sights set on two goals: finding the next great classical guitar concerto, and erasing the taboo of injuries among musicians.

Tom Holkenborg, aka Junkie XL, is far from the first score composer to be fired from a Hollywood film. But he might be the first to get his job back.

Aretha Franklin liked how Kris Bowers played piano at a competition in 2011. It was his big break — a fact that he says was with him while he scored a upcoming biopic about the late Queen of Soul.

Darren Aronofsky's 2000 film Requiem for a Dream spawned a musical motif that's rippled through media — and jumpstarted a new career for Clint Mansell, the composer of its haunted score.

Jones is the first African American woman ever nominated for an Emmy for an original television score. She got her start because producer/writer Lena Waithe took a chance on her.

The first woman composer to win an Oscar for best original score is releasing her first album of music not written for a film or stage production.

Joker is a psychological character study of a disturbed man who turns violent. To give the comic book villain human depth, composer Hildur Guðnadóttir had to dig deep and empathize with the character.

John Williams is an honored film composer, but he began as an arranger. Williams is now arranging again, this time with the acclaimed violinist Anne-Sophie Mutter on the album Across the Stars.

Twenty five years after he scored the original The Lion King, which won an Oscar, Hans Zimmer returns to Pride Rock to revisit the classic musical themes for a re-imagined tale.

The Last Black Man in San Francisco is a whimsical elegy to a fading San Francisco. It features a score by Emile Mosseri that's exuberant and poetic, positioning music front and center in the film.