Lourdes Garcia-Navarro

Lulu Garcia-Navarro is the host of Weekend Edition Sunday and one of the hosts of NPR's morning news podcast Up First. She is infamous in the IT department of NPR for losing laptops to bullets, hurricanes, and bomb blasts.

Before joining the Sunday morning team, she served as an NPR correspondent based in Brazil, Israel, Mexico, and Iraq. She was one of the first reporters to enter Libya after the 2011 Arab Spring uprising began and spent months painting a deep and vivid portrait of a country at war. Often at great personal risk, Garcia-Navarro captured history in the making with stunning insight, courage, and humanity.

For her work covering the Arab Spring, Garcia-Navarro was awarded a 2011 George Foster Peabody Award, a Lowell Thomas Award from the Overseas Press Club, an Edward R. Murrow Award from the Corporation for Public Broadcasting, and the Alliance for Women and the Media's Gracie Award for Outstanding Individual Achievement. She contributed to NPR News reporting on Iraq, which was recognized with a 2005 Peabody Award and a 2007 Alfred I. duPont-Columbia University Silver Baton. She has also won awards for her work on migration in Mexico and the Amazon in Brazil.

Since joining Weekend Edition Sunday, Garcia-Navarro and her team have also received a Gracie for their coverage of the #MeToo movement. She's hard at work making sure Weekend Edition brings in the voices of those who will surprise, delight, and move you, wherever they might be found.

Garcia-Navarro got her start in journalism as a freelancer with the BBC World Service and Voice of America. She later became a producer for Associated Press Television News before transitioning to AP Radio. While there, Garcia-Navarro covered post-Sept. 11 events in Afghanistan and developments in Jerusalem. She was posted for the AP to Iraq before the U.S.-led invasion, where she stayed covering the conflict.

Garcia-Navarro holds a Bachelor of Science degree in international relations from Georgetown University and an Master of Arts degree in journalism from City University in London.

At a high school in Washington, D.C., this past week, Bridget Cronin looked on as public school workers shuffled through the two dozen vaccination stations that lined the building's atrium.

Volunteers alternated waving green placards to usher in the next patient. Red placards were on hand to signal the need for more vaccine doses.

The mass vaccination event to immunize teachers and other public school workers in the district, held at Dunbar High School, was the culmination of weeks of long planning.

Just before voting Saturday to acquit former President Donald Trump in his second impeachment trial, the Senate seemed to reverse course, with a decision not to call witnesses.

Del. Stacey Plaskett, a Democrat from the U.S. Virgin Islands who was one of the House impeachment managers, is defending the agreement between House managers and Trump's attorneys not to call witnesses after all.

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As a former international correspondent who covered a dozen wars and revolutions, I know the signs of civil strife. And now, I see the battle lines being drawn up in my own family's text-messaging groups, in heated email exchanges and, more chilling, in the refusal to discuss politics at all just to preserve a common bond.

For over a decade, arts journalist Betto Arcos has been a familiar voice to public radio listeners, bringing them the sounds of the world — be it from a samba school in Rio or an amphitheater in Colombia, profiling artists who play unusual instruments or create cross-cultural mashups. More than 140 of those reports are collected in his new book, Music Stories from the Cosmic Barrio. Arcos spoke with NPR's Lulu Garcia-Navarro about learning in his travels how music creates community, and vice versa. Hear the radio version at the audio link, and read on for an edited transcript.

The music of Aaron Frazer feels a bit like stepping into a time machine: It's got touches of Curtis Mayfield and Carole King, but it's also very much of this moment.

Staff at Cedars-Sinai in LA got a surprise from a former COVID-19 patient last week: 800 homemade tamales. Margarita Montanez spent five days making them as a "thank you" for her care last spring.

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A snafu with Operation Warp Speed leaves at least 14 states short of the vaccine doses they were promised. NPR's Lulu Garcia-Navarro talks with WPLN's Blake Farmer about what that means in Tennessee.

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On Monday, Jupiter and Saturn will look as if they are merging in the night sky. This hasn't happened in nearly 400 years.

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President-elect Joe Biden carried Georgia with less than a 13,000-vote lead, a tiny margin made possible, in part, by historic turnout among Asian American and Pacific Islanders in the Peach State. It's the first time in nearly 30 years that Georgia voters chose a Democrat for president.

The number of coronavirus cases in California has topped 1.2 million, leaving the state's hospitals near a breaking point. There are projections that the state could run out of intensive care beds before Christmas. And Gov. Gavin Newsom says he's considering another statewide stay-at-home order to stop the surge.

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United States politicians are no strangers to using unkind language against their opponents. It's a trend that dates back to at least 1800 when, during the presidential campaign, Thomas Jefferson hired James Callender to slime John Adams. But Alexander Theodoridis, who teaches political science at the University of Massachusetts Amherst, says that today's partisanship can lend itself to particularly dehumanizing language not only between political opponents, but also between regular Americans who belong to opposite political parties.

Imagine being able to lay down your burdens and fly away from Earth — to a place of harmony, where discrimination is left behind. That dream is the basis of the song "Blackstronauts" by Britton & The Sting, a standout entry in this year's Tiny Desk Contest. Britton Smith, who wrote the song, tells Weekend Edition he wrote "Blackstronauts" while thinking about one particular burden: the need for affirmation.

This year, many people have been turning to music for catharsis, but Mama Haze, aka songwriter Meaghan Maples, has been tapping into music's healing powers for a long time. Before pursuing music full-time, the Oakland, Calif.-based artist was a doula and caregiver, often prescribing music as an antidote to patients' pain.

Stephen Miller is the architect of Donald Trump's extreme policies on immigration.

And leaked emails have shown him pushing white-power ideology cloaked in pseudo-science.

So how did an affluent kid from the California suburbs — who liked mobster movies and wore gold chains — get on the path that led him to where he is now?

When cases of the coronavirus spiked in March, doctors and nurses across the country found themselves overwhelmed with work. The shutdown also took away an important creative outlet for a special breed of medical professional: classical musicians. That's why John Masko, a symphony conductor in Boston, founded the National Virtual Medical Orchestra, giving those in the medical field a chance to perform and connect with each other.

"I kept hearing from musician after musician from our ensemble [about] how much they wish they were playing," Masko says.

Koko Kondo was 8 months old and with her mother when the first atomic bomb hit her home city of Hiroshima on Aug. 6, 1945. Her father, Methodist minister the Rev. Kiyoshi Tanimoto, had left earlier that morning.

"Suddenly, the whole house crashed," Kondo recounts. She was trapped beneath the rubble with her mother.

Humans have never been particularly good at eradicating entire viruses, and COVID-19 might not be any different.

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The employees who work in the poultry plants on the Eastern Shore of Virginia are accustomed to long hours and some of the most grueling work in the country — work that has grown uniquely dangerous amid the ongoing coronavirus pandemic.

Many of these workers came to the United States from Guatemala and Mexico, and are not used to having their voices heard. That is, until this past Wednesday, when one of their demands was answered.

So many of us do it: You get into bed, turn off the lights, and look at your phone to check Twitter one more time.

You see that coronavirus infections are up. Maybe your kids can't go back to school. The economy is cratering.

Still, you incessantly scroll though bottomless doom-and-gloom news for hours as you sink into a pool of despair.

For the past month, as anti-racism protesters across America have revived the campaign for the removal of statues, many eyes have focused on Richmond, Va. — the former capital of the Confederacy.

Richmond is home to Monument Avenue, a long stretch with towering statues dedicated to Confederate figures like Jefferson Davis, Stonewall Jackson and Robert E. Lee.

Some of those monuments have been toppled by protesters; others have been taken down by the city.

As the number of new coronavirus cases spikes in several states across the U.S., governors, county officials and business owners have been crafting laws and guidelines that mandate the use of face masks to help prevent the spread of the virus.

But even a simple cloth face covering has become political.

Zeshan Bagewadi is in many ways, a classic soul singer. As Zeshan B, he channels the music of Sam Cooke, Marvin Gaye and Otis Redding. His signature, though, is combining that classic soul sound with lyrics that pay tribute to his South Asian roots. On his latest album, Melismatic, his first collection of entirely original compositions, he sings in both English and Urdu.

The first sign that something was wrong came with stomach pains. It was April 30, and 9-year-old Kyree McBride wasn't feeling well.

His mother, Tammie Hairston, thought it might have been something that he ate. But soon, young McBride was battling a 102-degree fever.

Worried he may have contracted the coronavirus, Hairston took her son to the hospital. "It was a quick in and out of the emergency room," she said. Doctors told her to take him home and monitor him.

On her latest EP, Noah Cyrus wants you to know that you're not alone in feeling alone. Blending the spirit of classic country music with the sensibilities of today's pop, it's called The End of Everything — which feels like a good title for this moment.

Noah comes from quite the musical family, but now, with songs like "July" and "I Got So High That I Saw Jesus," she's finding her own voice.

"I wasn't afraid of fighting," Ilhan Omar writes about her childhood in Somalia in her new memoir. "I felt like I was bigger and stronger than everyone else — even if I knew that wasn't really the case."

In This Is What America Looks Like: My Journey from Refugee to Congresswoman, Omar chronicles her childhood in a middle-class family compound in Mogadishu, followed by civil war, four years in a refugee camp, a journey to the United States and ultimately her election to Congress as a Democrat representing Minnesota's 5th district.

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