Lily Meyer
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AI may be the topic du jour, but for now only a human can read attentively and sensitively enough to genuinely recreate literature in a new language, as translators have done with these three works.
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Iraqi poet Faleeha Hassan's memoir War and Me, Mexican novelist Brenda Lozano's Witches, and Uyghur novelist and social critic Perhat Tursun's The Backstreets have a few broad commonalities.
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Mutt-Lon's The Blunder, Pina by Titaua Peu, and Thuận's Chinatown all come from different continents and deal, glancingly or in depth, with French colonialism.
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English publisher and poet Sam Riviere's debut novel is a long monologue from a poet, disgraced for plagiarism, unburdening himself to a self-obsessed poetry magazine editor in a seedy hotel bar.
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Klay won acclaim for his debut story collection Redeployment, about the experiences of soldiers. His long awaited novel looks at how America has developed and exported the idea of a war on terror.
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Burnout, Anne Helen Petersen argues, will end only with sweeping labor-policy changes — meaning it will end only when we "vote en masseto elect politicians who will agitate for [reform] tirelessly."
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Kaouther Adimi's novel tells the real-life story of Edmond Charlot, the Algerian bookseller and publisher who witnessed his country's independence struggle — and famously discovered Albert Camus.
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Rebecca Dinerstein Knight's oddball new novel follows a newly unemployed scientist, lovesick for her former mentor — but convinced of her own worth and her need for a life full of beauty.
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Elizabeth Tallent writes: "For the sake of perfection, I took a voice, my own, and twisted until mischance and error and experiment were wrung from it, and with them any chance of aliveness."
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Chris McCormick's new novel layers the glitz and artifice of pro wrestling over a wrenching tale of two Armenian cousins whose involvement with a militant Armenian liberation group goes badly awry.