Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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Dev Patel stars as a young adventurer from King Arthur's court in David Lowery's inventive adaptation of an enduring 14th-century poem. -
Hong Sang-soo's new film follows a mild-mannered woman as she makes three different visits. Each chapter is absorbing on its own, but it's even more intriguing to contemplate how it all fits together.
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Reviewer Justin Chang didn't travel to the Cannes Film Festival this year, but he managed to see a number of the movies in Los Angeles. His favorites include The Souvenir Part II and Stillwater.
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Benicio Del Toro and Don Cheadle play low-level gangsters who get sucked into a into a major corporate conspiracy in Steven Soderbergh's engrossing new film.
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Two sea creatures go undercover as boys in an Italian Riviera town in the charming Pixar film Luca. In the German drama Undine, a water sprite must take the life of human lovers who betray her.
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Set during a record-breaking New York City heat wave, this vibrant screen adaptation of Lin-Manuel Miranda's stage musical pulses with musical numbers that blend of hip-hop, Latin pop and salsa.
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John Krasinski's follow-up to his 2018 thriller about aliens who hunt by sound showcases humanity at its best and worst — and feels particularly relevant as we slowly emerge from the pandemic.
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Emma Stone gives her all in a tricky role as the puppycidal fashionista of Disney's Dalmatians franchise. Cruella isn't a bad movie, but it fails to make its protagonist bad enough.
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Every era has its own great end-of-a-marriage movie. This psychologically raw film, about a small-town Utah couple who agree to a trial separation, is ours.
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A woman with agoraphobia becomes embroiled in her neighbor's drama in a new thriller based on Dan Mallory's novel. Adams is very good — but the movie doesn't prove entirely worthy of her.
