Lars Gotrich

Hundred Waters' music tugs like a loose thread, every shifting emotion illuminated by synths and beats that tug just a little harder. The electronic trio has always been on curiosity on OWSLA, the label founded by Skrillex, but a tempering presence.

When the reunited LCD Soundsystem played five nights at Brooklyn Steel in early April, the band brought along two new songs, delighting a legion of dedicated followers who have been clamoring for new material. Well, now James Murphy and company will release those songs at midnight — "and I mean, literally, midnight," he writes in a lengthy post on Facebook (embedded below). "Wherever you are.

We project ourselves into space, even if most of us will never rocket out of orbit in our lifetime.

What did we do to deserve new songs from both Paramore and HAIM? We are truly blessed this day.

Beyonce's year-end favorite, life-encompassing Lemonade will be thoroughly documented in a $300 collector's edition How To Make Lemonade box set. It will feature the album as a double-LP, with additional audio and visual downloads — oh, and a 600-page coffee table book with behind-the-scenes photos, a foreword written by Dr.

Kero Kero Bonito's Bonito Generation was not only the cheeriest pop record of 2016 but also one of the year's best. Spend 10 minutes with the trio's hyper-caffeinated, but no less thoughtful electro-pop and your day is automatically brighter.

Sevdaliza's debut album feels like a lifetime examined — and past lives exhumed.

GAS isn't really meant for the club, but that's where I first heard it — a cavernous basement was hosting a night of experimental music, the definition of which was determined by the DJ. It sounded and felt like a symphony buried underground, beats programmed from a different galaxy. Pop didn't change the landscape of ambient music — it evolved its purpose, its tone, its movement.

Bands reunite and it's not really a big deal anymore. Pavement's done it, like, 12 times already. Chicago's Riot Fest has made a regular habit of bringing back the '80s and '90s year after year, and scored some nice coups (The Replacements, Glenn Danzig with Misfits, among them). But here's one that no one in the punk scene saw coming: Jawbreaker.

Katie Crutchfield has been nothing but honest as Waxahatchee. Her careful words carry keen insight — and she writes sharp songs to match. Waxahatchee's fourth album, Out In The Storm, takes a hard look not just at broken relationship, but also at the spiraling aftermath.

No label, no careShamir just gifted us with a new album and it's already making Monday a whole lot brighter.

Hope was recorded over the weekend, a whirlwind attempt for the unclassifiable pop star to fall in love with music all over again.

Tell me if you've heard this one before: Lindsey Buckingham, Christine McVie, Mick Fleetwood and John McVie walk into a studio... and actually make a record together. Fleetwood Mac's drama-filled history is the stuff of a "great play," to say the least.

That bopping beat, that thick and wobbly synth bass, those voices — it's like I'm back at a middle school dance in the Atlanta suburbs, not knowing what to do with my hands.

The D.C. brewery Right Proper was like a cultural mullet during a recent visit: a posh baby shower in the front (complete with chocolate petit fours), a bunch of metal heads making beer in the back. Right Proper's head brewer, Nathan Zeender, was dumping a heaping spoonful of hop extract into a tank.

Frank Ocean's show on Beats 1, Blonded, has become a testing ground for new singles. First it was his collaboration with Calvin Harris and Migos, "Slide," then in mid-March, the gauzy "Chanel" rendered in several different versions throughout the set.

Can made music from an imaginary country, one with its own traditions and language — which means none at all. In its work, jazz, funk, electronic, psychedelic and minimalist music ran wild through impossible valleys and fantastic mountaintops. Some call it krautrock by virtue of the band's German home base in Cologne. Most just call it Can.

Calvin Harris has a habit of making ubiquitous summer jams.

We stayed up late, damaged our ear sockets and gave into the ecstasy of live music at SXSW: Diet Cig, Lizzo, Moor Mother, Sleigh Bells, S U R V I V E, Anna Meredith, Weezer, The Revolution's Prince tribute — even Garth Brooks. Here are 50 photos from the festival shot by Adam Kissick, with a few by our own Bob Boilen.

There is metal between those strings. In a video for "Limonium," Brooklyn-based composer Kelly Moran interrupts the stretched piano wire with corkscrews, forking the paths of sound.

Katy Perry's "Chained To The Rhythm" is one the year's low-key-subversive pop songs with a title that suggests Top 40 pop, but is actually about how They Are Controlling You. WAKE UP SHEEPLE.

"Turn it up, keep it on repeat / Stumbling around like a wasted zombie / We think we're free / Drink, this one's on me."

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