Eric Deggans

When it comes to original TV series, it's tough to understand exactly where Amazon is going.

At first, its strategy seemed simple: It went where big-ticket competitors like Netflix and HBO didn't, greenlighting comedies like Garry Trudeau's political satire Alpha House and the Silicon Valley series Betas, along with a raft of kids' shows.

For TV critics, last night's Emmy Awards show was a bit like seeing an old flame promise to treat you better, only to slide right back into the same old disappointing behavior.

TV's longest-running science fiction program is about to get a new hero ... sort of.

In keeping with its recent tradition of drawn-out, publicly humiliating anchor switches, NBC has finally admitted it is replacing Meet the Press host David Gregory with the network's political director, Chuck Todd, on Sept. 7.

The switch had been rumored for months, as it became increasingly obvious that the Gregory-led Meet the Press was sinking in the ratings and failing to set the news agenda in ways it did when the late Tim Russert was at the helm. Gregory took over the show in 2008 after Russert's sudden death.

For many years, Robin Williams seemed like a talent who had no off switch.

From his standup comedy work to TV roles to talk show appearances to Oscar-caliber movies and performances on Broadway, Williams was a dervish of comedy — tossing off one-liners, biting asides and sidesplitting routines in a blizzard of accents, attitudes and goodhearted energy.

The voice came from over my shoulder, a shouted greeting in a room crowded with journalists, publicists, network executives, producers and stars.

I tuned to see David Boreanaz, star of the Fox TV show Bones, calling out to me like a long-lost friend. I knew he had mistaken me for someone else — in a party held by Fox at the exclusive Soho House club, where everyone from Kelsey Grammer to David Tennant was sipping cocktails and talking shop, it wasn't hard to make that kind of mistake.

I didn't know, watching Isaac Hayes push James Garner around on The Rockford Files, that I was seeing a special character continue an important television legacy.

All I knew, as a devoted fan of Garner's put-upon private eye, was that Jim Rockford seemed like a kind of hero you never saw anywhere else on television.

There are things you could quibble about in the array of nominations announced today for the 66th Primetime Emmy Awards.

No best drama series nomination for CBS' The Good Wife, though several stars got acting nods. No acting nomination for Orphan Black star Tatiana Maslany, though she plays about eight different roles on BBC America's clone-focused adventure drama. No best variety show nod for John Oliver's increasingly stellar Last Week Tonight on HBO. And a best TV miniseries nod for Lifetime's dreadful Bonnie and Clyde?

Diane Sawyer will leave her job as anchor of ABC News' flagship program, World News, during the last week of August, capping a five-year run at the show and kicking off an anchor shuffle at the network.

As part of NPR's "Book Your Trip" series, TV critic Eric Deggans looks at a different kind of summertime journey, described in two books that became TV shows: PBS's documentary Freedom Summer, debuting tonight, and The Hallmark Channel's The Watsons Go to Birmingham.

HBO's True Blood, which returns for its final season Sunday, is a prime example of a TV show that kept going long after it should have ended. It's not alone, though: Other shows have stayed too long at the party, including Dexter and Law & Order: SVU. Why is it that some shows stay on air well after they've run out of creative juice?

This is the moment that launched a TV revolution, every week. The police roll call: Sgt. Phil Esterhaus faced his colleagues — a paternal, knowing grin on his face — while he ran down the day's advisories about a black male pickpocket wearing a blond wig and purple dress, or the need for officers to catch a rapist terrorizing their precinct.

"Let's spend a little less time flirting with the hookers and the waitresses and put some heavy attention on that park," Esterhaus told his patrolmen in one roll call, sparking laughter and feigned denials from the crowd.

***For Mad Men fans who missed Sunday night's Season 7 premiere, be warned: There are spoilers below.

Don Draper finally told the truth, and it ruined his life.

Perhaps that shouldn't have been such a surprise. Because Don has mostly been a master of the lie — especially in the form of an ad pitch. And he never lost his touch: He suckered everyone last season with one of his best pitches for Hershey's chocolate bars.

CBS just ended the longest-running joke in TV history by naming Stephen Colbert to succeed retiring late-night host David Letterman

That's because Colbert, who has won all kinds of acclaim playing fictional right-wing cable TV news host "Stephen Colbert" on The Colbert Report, will now play a new character when he takes over Letterman's Late Show:

Himself.

The Weather Channel will return to DIRECTV on Wednesday, ending a three month dispute which saw the cable channel yanked from the satellite television system reaching 20 million subscribers.

But the new agreement comes with a price: the Weather Channel has agreed to cut back its reality programming by half during weekdays, restore instant local weather and allow DIRECTV subscribers to watch the cable channel on a range of devices in and out of their homes.

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This is ALL THINGS CONSIDERED from NPR News. I'm Melisa Block, hosting this week from member station KERA in Dallas.

ROBERT SIEGEL, HOST:

And I'm Robert Siegel in Washington.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ROBERT SIEGEL, HOST:

David Letterman, the longest-serving late night television host, is retiring.

(SOUNDBITE OF SHOW, 'LATE NIGHT WITH DAVID LETTERMAN')

The view from inside a media circus is an odd one, indeed.

But I got a glimpse of the scenery a few days ago, when CNN asked me to weigh in on the similarities between the real-life missing Malaysia Airlines Flight 370 and the myriad of fictional TV shows or movies where similar events have unfolded.

Why are we so drawn to these stories? anchor Suzanne Malveaux asked me in a few different ways, perhaps wanting an emotional take on how the plane crash scene in the TV series Lost or the film Alive could have ended Flight 370's mysterious voyage.

When the interviewer for BBC Radio finally reached me Monday to talk about the failure of Piers Morgan's 9 p.m. interview show on CNN, she basically had one question, asked many different ways.

Are Americans finally tired of arrogant British TV personalities?

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Who should be eligible to receive an award from the National Association for the Advancement of Colored People? And if that definition becomes flexible, what does that do to the mission of the award itself?

That's a question worth asking as the NAACP Thursday unveiled a huge roster of nominees for its 45th annual Image Awards — a ceremony long thought to be a way to honor African-American performers who are often ignored by mainstream Hollywood awards contests.

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OK, let's look back just a single year now with NPR's TV critic Eric Deggans. He's been giving us his most memorable television moments from 2013. And this morning, Eric has something of a twofer because he says the best TV prank of the year became one of the worst moments for television journalists.

The email arrived with the kind of snarky tone reserved for a moment when the author is sure he — and it's usually a he — thinks he's hoisted you with your own petard.

A bit of back story: Last week, I tweeted a question wondering why CBS This Morning used a clip of Toto's hit song "Africa" under a montage of photos from Nelson Mandela's funeral. The tweet went viral, sparking stories on several websites and agreement from a co-founder of the band.

As the holiday season approaches, the TV cupboard may seem a bit bare; the industry winds down like everything else, filling cable and broadcast networks with holiday specials, reruns and also-ran reality shows.

But there are bright gifts, too: TNT offers Mob City, a three-week, lavishly produced noir-ish TV show about cops and crooks vying for control of 1947-era Los Angeles, airing Wednesdays.

On Dec. 8 and 9, A&E presents a four-hour miniseries on Bonnie and Clyde, retelling the story of the Depression-era outlaws and lovers.

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There are about a dozen reasons I really wanted to love Alpha House, an original comedy series about four U.S. senators sharing a home on Capitol Hill. It premieres on Amazon — yes, Amazon — on Friday.

The biggest reason: often-underrated star John Goodman, playing a politician up for re-election who knows exactly what voters value in a legislator:

It's easy, when writing about network TV, to be cynical.

For example, when I heard the Fox network had been holding annual conferences on diversity, telling top show producers their casts and crew had to feature more people of color, I remained skeptical. What's the catch, I wondered?

(This post was updated at 4:40 p.m. ET)

How did TV's most storied newsmagazine make such a huge mistake? And why won't they explain exactly what happened?

Those are the questions left unanswered days after 60 Minutes correspondent Lara Logan and CBS News Chairman Jeff Fager retracted an Oct. 27 story about the terrorist attack on the U.S. mission in Benghazi, Libya, that featured a suspect source: government contractor Dylan Davies.

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