Eric Deggans

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Finally, we no longer have to use the word "allegedly."

A court of law has delivered a verdict that the court of public opinion seemed to have already reached: Bill Cosby, 80, has been found guilty of three counts of aggravated indecent assault, resulting from allegations first made by Andrea Constand back in 2005.

The public eventually saw more than 60 women accuse "America's dad" of sexual misconduct and assault, with many alleging he surreptitiously drugged them first. This is the first of those stories to get a verdict.

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Olivia Pope is about to handle her final crisis. She's the fictional political fixer at ABC drama "Scandal," which airs its final episode tonight. Here's NPR TV critic Eric Deggans.

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Science fiction TV fans might remember this catchphrase.

(SOUNDBITE OF TV SHOW, "LOST IN SPACE (1965)")

DICK TUFELD: (As The Robot) Danger, Will Robinson. Danger.

TV Review: 'Legion'

Apr 1, 2018

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It's a superhero show without capes, masks or flying. The FX cable channel show "Legion" returns for a second season Tuesday, trying to extend its reputation as one of its TV's most ambitious comic book adaptations. NPR TV critic Eric Deggans tells us how they pulled it off.

Be warned: The review below contains plenty of spoilers about past and present episodes of Billions.

The biggest problem Showtime's Billions has: It's a show that is way too easy to underestimate.

At a time when income inequality and the struggles of the middle class are front-page news, it's tough to lionize a show about a millionaire U.S. attorney in an all-consuming personal and professional grudge match with a billionaire hedge fund owner.

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It seems like another example of television's gender pay gap: executive producers of Netflix's drama The Crown have admitted that star Claire Foy, who played Queen Elizabeth, was paid less than Matt Smith, the supporting actor who played her husband, Prince Philip.

But a look at the details of this deal also shows how well stardom pays off in show business, especially when an actor in a supporting role is more famous than the star of their new television series.

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Last night, for the first time, TV viewers saw a 2006 interview where O.J. Simpson talked about the murder of his ex-wife, Nicole Brown, and her friend Ronald Goldman.

(SOUNDBITE OF TV SHOW, "O.J. SIMPSON: THE LOST CONFESSION?")

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Critics tend to judge Olympics coverage by a few key metrics: How many mistakes did the commentators make, and how many people are actually watching the games in prime time?

When it comes to NBC's coverage of the Winter Olympics, the first category has a couple of doozies, such as the network declaring a winner of the women's super-G Alpine skiing event before all the competitors had skied, including the actual winner.

The cost was daunting: With well over 100 million viewers expected to tune in this year, NBC charged just over $5 million for each 30 second spot. So advertisers were careful about which messages they showcased on the biggest TV platform of the year.

Even so, many of the spots felt handcuffed or held back — so cautious about drawing a laugh or provoking viewers that the primary reaction was just, well, disappointment.

Review: 'The Alienist'

Jan 22, 2018

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And a new series is debuting tonight on TNT. "The Alienist" is the story of a group of sleuths in the 19th century on the hunt for a serial killer. It's based on the best-selling novel. NPR TV critic Eric Deggans says the show is really an attempt by TNT to redefine its brand.

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A new TV crime series debuts tonight on FX. It is called "The Assassination Of Gianni Versace: American Crime Story." NPR TV critic Eric Deggans says the show tackles a whole lot more than the untimely death of a fashion icon.

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Today we are wrapping up our series of Highly Specific Superlatives. And this entry starts with a scene in a TV show.

(SOUNDBITE OF TV SHOW, "ONE MISSISSIPPI")

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The latest powerful man to be accused of sexual misconduct is the hip-hop mogul who introduced us to sounds like this.

(SOUNDBITE OF SONG, "I NEED A BEAT (REMIX)")

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A new comedy premieres Sunday on Showtime called "White Famous." It's the story of a black performer's struggle to succeed in Hollywood. NPR TV critic Eric Deggans reviews an exploration of race in Hollywood.

Space isn't quite the final frontier for Star Trek: Discovery. Instead, the first new Star Trek series to come to television in a dozen years faced a more challenging frontier: the skepticism of all us sci-fi nerds who wanted new Trek, but were wary producers might mess the whole thing up.

It's the toughest question a Floridian has when facing an approaching hurricane:

Do I stay or do I go? If I go, where do I go? When do I leave? And how do I get there?

I've lived in St. Petersburg, Fla., for 22 years and faced the possibility of at least six hurricanes making landfall in the state. Until Irma, I never seriously considered evacuating. But Irma's massive size and record wind speed, threatened to turn my home — just a block from a picturesque canal — into a wading pool.

Journalist-turned-TV producer David Simon is particularly good at two things: exposing the mindless, brutal institutions and systems that grind many Americans down, and humanizing people who normally exist at the margins of polite conversation.

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Like a lot of kids in high school, Sam worries that he doesn't fit in.

"I'm a weirdo. That's what everyone says," declares the 18-year-old character at the center of Netflix's new dramatic comedy series Atypical.

One reason Sam struggles to fit in: He has autism.

As his character explains at the start of the first episode, sometimes he doesn't understand what people mean when they say things. And that makes him feel alone, even when he's not.

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