Fresh Air from NPR

Lana Del Rey appeared on Saturday Night Live recently, giving two rather tentative performances that, depending on your point of view, were awkward and amateurish or shrewdly restrained and vulnerable. Del Rey, in her mid-20s, attracts polarizing opinions.

Producers Neil Meron and Craig Zadan have been making musicals together for almost 20 years. They're the team behind movie musicals like Hairspray, Chicago and Annie, and the TV musicals Gypsy and The Music Man.

Now Meron and Zadan have teamed up once again on the new NBC series Smash, a drama that goes behind the scenes as a motley crew of creative types put together a Broadway musical based on the life of Marilyn Monroe.

In my family, we referred to them as "the brisket brigade" — those single ladies of a certain age who began bombarding my brother-in-law with casseroles and commiseration soon after my sister-in-law died. It's a cruel fact of life that nobody plies widows with months of home-cooked meals and baked goods; as Jonathan Swift might have modestly proposed, widows might as well eat each other — there's a surplus supply of them, anyway. But, a new widower gets the Crock-Pots and the romantic fantasies all fired up.

Stew's new album Making It is, in part, about his relationship with his ex-girlfriend and songwriting partner, Heidi Rodewald.

The two musicians, who still work together professionally, dated each other for years. They collaborated on songs for their band The Negro Problem, as well as on orchestrations for Passing Strange, their semi-autobiographical Broadway musical about a young African-American trying to understand himself while traveling around Europe. But during Passing Strange's initial run in Berkeley, Calif., Stew and Rodewald broke up.

It isn't a long shot that David Milch's newest series for HBO, called Luck, will be on par with his HBO series Deadwood. It's a sure thing. HBO sent out all nine episodes of the show's first season for preview, so there's no guesswork here.