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CAPE FEAR MEMORIAL BRIDGE: Updates, resources, and context
Cinematique of Wilmington is a series of classic, foreign and notable films sponsored by WHQR and Historic Thalian Hall Center for the Performing Arts. Tickets to all screenings are available at the Thalian Hall Website or at the Thalian Hall Box office (Monday-Friday from 12-5pm and one hour before showtime). Admission is $9.63 ($7+ tax and $2.14 ticketing fee)Showtime for Cinematique Films is 7:00pm, plus 4pm matinees on Wednesdays (unless otherwise noted) at Historic Thalian Hall, 310 Chestnut Street. For more details about the series or individual features, call the Thalian Box Office at 910.632.2285 or click here.

Cinematique Presents: "Hello, My Name is Doris"

Monday-Wednesday, May 23-25, 7 pm

Wednesday, May 25, 4 pm

Thalian Hall Main Stage

When Doris Miller (Sally Field) meets John Fremont (Max Greenfield), her company’s hip new art director, sparks fly—at least for Doris. Her first encounter with true romance (outside of the pages of a novel) convinces Doris that she and the mostly unaware John are meant for each other. In the cluttered house she shared with her late mother, Doris mines the Internet for information on her one-and-only, guided by the 13-year-old granddaughter of her best pal Roz (Tyne Daly). When Doris begins showing up at John’s regular haunts, she wins over his Williamsburg friends with her eclectic vintage wardrobe, quirky naiveté and unironic enthusiasm for their rooftop knitting circle. Her new life brings Doris a thrilling perspective, but also creates a rift between her and her longtime friends and family, who believe she’s making a fool of herself over a guy half her age. Eager for all the experiences she has missed out on, Doris throws caution to the wind and follows her heart for the very first time. (Rated R, 1 hour 35 minutes)

“More than anything else, Hello, My Name is Doris effectively conveys the cruel ambivalence of an ageist society, and despite its formulaic ingredients, the movie responds to that setback with Field's exuberant, virtuoso turn providing the ultimate critical response.” Eric Kohn, indieWIRE

“Field, carrying the movie on her shoulders and handing it to us for our approval, makes us root for wistful Doris. Single-handedly, she makes the movie work.”- Moira MacDonald, Seattle Times